YELLOW FLESH / ALABASTER ROSE
by Erik Patterson
Cast: 5 female, 4 male
Genre: dark comedy
Keyword: family, Bjork, LGBTQ, abuse,
Character Breakdown:
ELLIOT, a man in his early thirties. Sometimes known as Tom.
LITTLE B, his sister, fifteen
BECKY, a woman in her early thirties. Sometimes known as Hunter.
ROSE, her daughter, fifteen
MOM, a mother in her fifties. Named Rose Silverstein.
JUSTIN, a hustler in his late twenties to thirties
BROOKE/KRISTEN, a phone-sex operator in her twenties to thirties
MIKE, a hustler in his forties? fifties?
JESS STEARN, a doctor in his fifties
FATHER, a voice, a memory (played by the same actor who plays Mike)
Synopsis:
Elliot is lost in a world of sex workers—late night house calls from hustlers and phone calls with call girls. Becky is torn between two worlds—her day job as a stripper and being a mom to fifteen-year-old Rose (a Goth girl who wants nothing to do with her). And then there’s Little B, who has stripped away every piece of herself until all she has left is her obsession with Icelandic pop singer Bjork. Their shared past holds unspeakable horrors and they must join forces if they ever want to heal.
Awards:
WINNER, Best Playwriting, Backstage West Garland Award
WINNER, LA Weekly Award, Best Supporting Actress
FINALIST, PEN USA Literary Award
Reviews
"Erik Patterson’s strange new play is one that TAKES YOU BY SURPRISE AND RAVISHES YOU… he’s clearly a playwright with more on his mind than the naturalistic details and fraught comedy of dysfunctional relationships, both of which he nails when he gets around to it it’s the getting-around-to-it part that shows Patterson’s formal and philosophical ambitions..."
-- Backstage West, Rob Kendt
"Daring in its frank approach to the subject matter and MESMERIZING in its skillful blend of ironic humor and stark tragedy."
-- Frontiers Magazine, Les Spindle
"'Yellow Flesh/Alabaster Rose' is so bold and imaginative and clever in the way it, and the characters, transcend the horror [of childhood sexual abuse] that it comes off, triumphantly, as real. The playwright Erik Patterson has a WONDERFUL ear for dialogue, and his characters never sound phony, even in their kinkiest moments...[The play is] an eloquent testament to the redemptive power of truth, and the tyranny of secrets and lies."
-- IN Los Angeles Magazine, Greg Owen
"[A] sublime meditation on the psychic injuries of incest, and how to heal them…An effortless intermingling of introspective drama and VERY FUNNY comedy."
-- LA Weekly, Martin Hernandez
"Packs A CONSIDERABLE EMOTIONAL WALLOP, not to mention a hefty quotient of mordant wit."
-- Los Angeles Times, F. Kathleen Foley
"Patterson manages to grip us with the obvious pathos while, at the same time, DARING US TO LAUGH and we do, a lot. The drama of the piece is filled with embarrassed laughter, scandalized snickers, comic relief, chuckles of disbelief, and just plain humor - all of it dark."
-- ShowMag.com, Dave DePino